miercuri, 7 iunie 2023
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The Goodbye Girl by Neil Simon, author of The Heartbreak Kid http://realini.blogspot.com/2018/08/the-heartbreak-kid-screenplay-by-neil.html - 9 out of 10
The Goodbye
Girl by Neil Simon, author of The Heartbreak Kid http://realini.blogspot.com/2018/08/the-heartbreak-kid-screenplay-by-neil.html
9 out of 10
The Goodbye
Girl has been a smash hit in 1977 when it was launched, the first romantic
comedy to break the one hundred million dollars at the box office ceiling,
winning for Richard Dreyfuss the Academy Award for Best Actor in a Leading Role
(though he is probably better known for his part in the landmark Jaws, of which
he talks in the excellent Easy Riders Ragging Bulls, with the delays, the eccentricity
of Steven Spielberg, who convinced the executives with his…being normal, non-drinking,
staying away from drugs, which was the plague of most other talent at the time,
maybe even now) the youngest at thirty to be honored thus
More
importantly, it has enthused and exhilarated me, a young man when I first saw
it, and now, that I am at what Cicero (or some other sage from antiquity says,
through the lectures of the majestic Andrei Plesu http://realini.blogspot.com/2014/05/obscenitatea-publica-by-andrei-plesu.html who has a splendid conference with
Dilema Veche, in which he takes on old age, advantages and shortcomings) called
the maturity stage, I find that the first encounter with The Goodbye Girl seems
a bit too enthusiastic
Richard
Dreyfuss does shine in the part (he is excellent in Whose Life Is It Anyway http://realini.blogspot.com/2015/02/whose-life-is-it-anyway-by-brian-clark.html aside from Jaws) but he does not
provoke the same exuberance, perhaps in part because I have read about King
Richard III (‘now is the winter of our discontent turned into glorious summer
by this Son of York and all the clouds that loured upon our skies in the deep bosom
of the ocean buried’ does come a few times in the play, and these are among the
most resplendent lines in literature, or at least until Chat GPT or some other
concoction will come up with something even more sublime, if that is
conceivable)
Elliot
Garfield aka Richard Dreyfuss is to play Richard III and he has an artistic dispute
with the director, the actor wants the king to have the hunchback, just like
Laurence Olivier had played it, and some other deformities, while the outré
director insists on the idea that Shakespeare was gay – there is the argument,
sustained among others by the lines from the sonnet ‘a woman’s face with
nature’s own hand painted, hast thou the master/mistress of my passion…’ and
the result is indecision…
It is
obviously meant to be amusing, and it is (or better said, it had been, when I
was twenty or so, and found this new approach hilarious and enticing, while
seen again yesterday, it appeared somewhat, or very gauche, maladroit)
innovative for 1977, after all, it not only gained the Oscar for Dreyfuss, but
it has also been nominated for Best Picture, Screenplay, Actress in a Leading
and Supporting Roles…
The image
of Richard III has been changed with the publication of the marvelous The Daughter
of Time http://realini.blogspot.com/2020/10/the-daughter-of-time-by-josephine-fey.html by Josephine Fey, in which the
central character is investigating…the crimes committed by the infamous,
monstrous king centuries before, only to find that the suspect was in fact condemned
by posterity on false evidence, or none at all, hence we have here a myth and
the creation of a character that is loathed because of Shakespeare,
principally…
Ergo,
seeing Richard Dreyfuss aka Elliot Garfield mocking the poor Richard III
appears to be less enchanting than on the first take, when I had been ignorant
of the discovery detailed in The Daughter of Time – incidentally, this
fundamental mystery novel sits at Number one https://simple.wikipedia.org/wiki/The_Top_100_Crime_Novels_of_All_Time on the list of top 100 Crime
Novels, as compiled by the writers in the genre – and the panache is lacking,
the acting of the role of the king as if he was ‘an interior decorator gone
wild’, with bizarre eccentricities has some appeal, but not that much
In fact, it
could be construed differently, and if Elliot says at some point that the ‘gay
community will crucify him’ or something like that, the film would not be
produced today, or maybe it would, we have the example of Tar https://notesaboutfilms.blogspot.com/2023/01/one-of-best-in-2022-and-golden-globe.html the film with many nominations,
wherein Cate Blanchet portrays a lesbian director who is complex, but has a
very loathsome side, something we might have thought would be censored, for
activists for minorities rights might
reject the depiction of one who is a negative character and homosexual at the
same time
As it is,
there are various interpretations, and we could praise The Goodbye Girl for
envisaging a William Shakespeare that was gay, at a time when that was more than
frowned upon, and furthermore, exploring the notion that Richard III could be
of the same orientation, have him grab others by their private parts, and
overall, act as a drama queen, perhaps a bit over the top and finally
antagonizing critics.
In the interpretation
of this age, Shakespeare and Richard III would be ‘gender fluid’ – the co-winner
of the Booker Prize for 2019 Girl, Woman, Other http://realini.blogspot.com/2022/06/girl-woman-other-by-bernardine-evaristo.html by Bernardine Evaristo argues that
gender is the biggest lie of civilization, or something to that effect, and we
are introduced, at least those of us unaware, to concepts like ‘non gender, two
spirits’ – however that would work, the performance in this 1977 film is
exuberant, remarkable
Only it
does not have the effect it had some decades back, when it all seemed so exciting
and breaking barriers, which it probably did, only somehow, with the passing of
time, it now looks dated, not archaic, or ancient, but still, it does not have
the same impact…I looked back at the list of nominees, and Richard Dreyfuss was
competing with Marcello Mastroianni, Richard Burton for the Oscar (there are
Woody Allen and John Travolta, both controversial, the former for his
relationships with much younger women, the latter for the role in Scientology)
so I would rather have Mastroianni or/and Burton get the trophy…
Now for a
question, and invitation – maybe you have a good idea on how we could make more
than a million dollars with this http://realini.blogspot.com/2022/02/unique-in-world.html?q=unique+in+the+world – as it is, this is a unique
technique, which we could promote, sell, open the Oscars show with or something
and then make lots of money together, if you have the how, I have the product,
I just do not know how to get the befits from it, other than the exercise per se
As for my
role in the Revolution that killed Ceausescu, a smaller Mao, there it is http://realini.blogspot.com/2022/03/realini-in-newsweek-participant-in.html