The Laundromat,
based on the book by Jake Bernstein
Nine out of
10
This comedy
drama – listed only as drama for some obscure reason, contrary to the tone, the
shades adopted by Gary Oldman and Antonio Banderas right from the opening
scenes, surely with the director, the brilliant Steven Soderbegh determined to
expose the financial scandal, but also reveal the preposterous, grotesque
dimensions of the money market arrangements, which are still in place in so
many states and territories (such as Delaware, where we are told that the
director has registered five companies and the writer one) – would be touching a
raw nerve in so many countries, where corruption is rampant and rulers, dictators
and Trump like clowns park their money outside threatening jurisdictions.
In our
land, the former gangster ruler has been jailed a few months ago, but only after
he had plundered, abused the system, finances, judicial norms and may have sent
money to Nevis, a fiscal paradise at the center of the plot of The Laundromat,
where so many companies and shady thugs have established shell aka empty
concoctions where registered, without any activity, employees or sense, other
than to protect the ‘privacy’ of the owners, that used these unscrupulous
territories and tiny states – albeit Nevada, Delaware, Jersey, Luxembourg are
not in the Caribbean and the Irish lax tax norms have encouraged Apple, among
others, to use the country in order to pay minimal dues, if anything of what
should be given to tax authorities in more demanding venues – to Launder money…hence
the title of this film.
To begin
with, Gary Oldman aka Jürgen Mossack and Antonio Banderas aka Ramon Fonseca,
explain with alacrity – and perhaps with too much enthusiasm for the
rocambolesque, extravagant side of those dubious, ultimately vicious in fact
personages – the significance of money, how we used to trade bananas for cows
and they have some props in the form of primitive humans to exemplify the idea,
and what the disadvantages were, in that bananas would ripe and then get
spoiled and the cows…well, they could run away.
Therefore the
need for something more solid, unperishable, to be traded with better effect,
more diligently, and we arrive in this day and age, to the scandal known as The
Panama Papers, following which the prime minister of Iceland, reputedly a
Nordic, clean country – as a side note, the famous Danish have a bank, Danske,
involved in a huge operation that looks pretty much like the plot of this film –has
resigned, together with other world and business leaders and which we follow
with great interest, especially from the moment when the glorious Meryl Streep enters
the frame, as Ellen Martin, the woman who becomes a widow when the vacation she
is on takes a turn for the horrid and the insurance company that should have
provided adequate reparations proves to be involved in a massive fraud.
As the
retired woman follows the money, she comes across Malchus Irvin Boncamper aka
Jeffrey Wright, in the unlikely setting of Nevis, where she is looking for the address
of this re-insurance company, which is actually hiding one of the many frauds masquerading
as legitimate businesses, for which this bigamous man serves as cover, between
his games of solitaire, and she happens to ask exactly the right person, only
Malchus declines to admit he is the one to answer questions and pretends to be unacquainted
with Boncamper, only to be arrested in Miami, in front of his second wife, who wants
to kick him as soon as she finds out he has another spouse, in Nevis.
The segment
involving Charles, Astrid, Simone and Miranda feels like a small disappointment
in what is otherwise a wonderful entertainment, because it is much more soap
opera – granted, this was a real scandal, but it plays like one of the South American
telenovelas that were so popular in our parts and elsewhere – notwithstanding the
fact that it does expose the abhorrence of those transactions, how even within
a family, one member could cheat the others out of promised riches, in this
particular case, companies worth in excess of $ 20 million, which are emptied
and then valued at only 34 or 100 dollars.
The China
chapter makes for some gruesome viewing, no jocularity here, as it should be
for we are talking about a vicious tyranny, and the personage Bo Xilai is as
real as can be, seen as a potential competitor for the present dictator, in
charge for life (!), and thus eliminated for what was surely serious,
flaunting, ghastly corruption, but persecuted more as a political symbol- do
not rise against the emperor, because the result will be devastating for the
family and all those near, we see how they take organs – heart, kidneys, cornea
– and not from a corpse, but from…a living human being!
Free Hong
Kong would be the message, but also pay attention there, for if these bastards
catch you, there is no limit to what they would do to you.
When Ellen
Martin first approaches a media outlet with the information she has gathered,
the story of over twenty fatalities on a vacation boat, on a lake, not the high
seas, and the fraud that underlines the insurance and re-insurance of the companies
involved, they are not overexcited, on the contrary, it seems to them as such an
exotic, complicated narrative, with little or no impact locally – the journalist
even says that this looks like a foreign based shindig…she did not use the last
word though) and when they reach the location…Panama, the already diminishing
interest appears to vanish.
Nonetheless,
the big scandal eventually hits the news and it makes the headlines worldwide,
provoking aforementioned resignations and disgrace, and the couple of extremely
wealthy comics, Mossack and Fonseca – both in possession of some resplendent,
best houses in the world type – panic and see that they have to close down many
of the multitude of offices they had all over the world, following the hacking
of their system and the publication of the incredible list of clients, some of
them still enjoying ill gained riches to this day…
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