Four Weddings
and a Funeral by Richard Curtis
Nine out of
10
One of the
most charming romantic comedies, Four Weddings and a Funeral has an outstanding
Metascore, average rating by major critics that stands at 81 out of 100 (!),
and benefits from a wonderful cast – as an example, one of the minor roles,
that of a priest with only a couple of minutes of screen time (but what
radiant, hilarious moments those are) has been filled by the famous Mr. Bean
aka Rowan Atkinson as the awkward, shy, afraid of public speaking ( which is what
people fear more than death, according to some polls) maladroit, gaffe prone
Father Gerald, who is about to spoil one wedding when he is unable to utter the
necessary ‘will you take this woman…’and the other well-known lines.
Hugh Grant is
marvelous as the hero of the story, the main character within those Four
Weddings and the regrettable Funeral, a young man who lives with a woman friend,
in a platonic, non coital relationship and is involved in a few affairs that
have failed – well, he has had one hysterical bond with a woman who seems deranged,
but he may yet have a chance to find what seems like the Absolute Snow White,
the Wonder Woman aka the American Carrie aka the resplendent and one of the
most stupefying, fabulous artists, Andie MacDowell.
He is looking
for love, meaning, respectable, serious involvement, just as his circle of friends
is, in spite of the sardonic attitudes, and the spleen, taedium vitae, ennui
that seems to overwhelm some or most of them at times, seeing as they do to find the ideal of Plato, that other
elusive half of the sphere – according to Plato, we have been divided in two halves
of the perfect sphere and we look for completion, the other half that would
make us one happy entity – obviously, this is not how the great, ancient philosopher
has put it, but then he is not writing this sorry piece.
At the
first wedding, we have one of the excellent humorous moments of this enchanting
narrative, for when an acquaintance comes to Charles, who is speaking to the
spectacular Carrie, the hero asks about the girlfriend that this man is with
and he finds that she is no longer his girlfriend, an occasion for the gauche protagonist
to express joy, for she was still fucking her ex-lover and then the bomb falls –
she is my wife now! Oops, that was an unfortunate gaffe.
When our
man sits at the table, ready to begin his speech, as the best man and friend pf
the groom, he introduces himself to the old relative sitting next to him and he
says his name is Charles, only to hear the old man retort with vigor and
conviction…
‘Don’t ‘be
ridiculous, Charles has been dead for twenty years now!’
Obviously,
Hugh Grant has that charm, his unique manner of hesitating, making some odd
moves, frowning a little, showing innocence and ingenuity that might remind
some of James Stewart who was also famous, albeit decades before, with his style
of apparently bungling the lines, but making them so much more credible in the process…
If Kevin
Costner and Whitney Houston have become infamous as a big screen couple that
apparently had no chemistry, perhaps even an antipathy for each other on the
set of The Bodyguard, Hugh Grant and Andie MacDowell seem to get along
perfectly, and indeed, the actress has been in some of the most remarkable
parts we can think of – to mention a few: The Muse (noted on here - http://realini.blogspot.com/2019/02/the-muse-by-rhea-rene.html
) Green Card (http://realini.blogspot.com/2018/10/green-card-written-and-directed-by.html)
the glorious Sex, Lies and Videotape (http://realini.blogspot.com/2017/02/note-on-sex-lies-and-videotape.html)
or the splendid The Object of Beauty (http://realini.blogspot.com/2018/04/the-object-of-beauty-by-michael-lindsay.html)
The combination
between romance, comedy and some introspection, sadness, caused by the sudden,
unexpected death of the vivacious, at times bombastic, amusing, baritone Gareth
aka the wondrous Simon Callow, works to near perfection and some moments are
memorable, perhaps legendary, such as the awkward, mirthful marriage proposal,
or was it declaration of love, the punch in the face received by the would be
groom, when he states that he is no longer going to get married, the service of
the hapless Father Gerald aka Rowan Atkinson who speaks with absolute gravity
about…
The Holy
Goat and
To be my
Awful wedded wife, instead of the necessary, common sense lines known by everybody…what
were they, by the way?
Four Weddings
and a Funeral has become such a classic that it is about to have a remake…
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