Adam’s Rib, written by Ruth Gordon and Garson
Kanin
8 out of 10
A different
version of this note and thoughts on other books are available at:
- https://www.youtube.com/playlist?list=PLEVa4_CsRStSBBDo4uJWT8BSWtTTn0N1E
and http://realini.blogspot.ro/
This is
considered to be one of the best comedies…
It is on
The New York Times’ Best 1,000 Movies Ever Made list:
Katharine Hepburn
is majestic as the lawyer Amanda Bonner.
Her real
life husband and excellent actor Spencer Tracy portrays the spouse and also a
man of the law- Adam Bonner.
The title
seems to refer to the Bible story that has the woman created by God, but only from
Adam’s Rib.
The suggestion
is one of supposed inferiority and the main theme of the film is there
expressed in the metaphor of the title.
Doris Attinger
is a woman betrayed, cheated upon by her husband Warren that is having an
affair with Beryl Caighn.
We see the
confused and depressed Doris Attinger, trying to advance thorough a crowd and
find her way.
When she
reaches the room where she knows she can find her husband, she takes out a
revolver and…causes the audience to laugh.
Because she
starts reading instructions from a booklet that is evidently the manual for the
gun that she fires.
For the
viewers it is clear that the woman does not what she is doing, even after
entering the room where she finds her husband.
He is
intimate with another woman, there is screaming and accusations fly, while
Doris Attinger pulls the gun.
But when
she shoots, she does not even look towards her enemies, she looks back, scared
by this outrage.
Warren Attinger
is injured, taken to a hospital, while the wife is taken into police custody,
indicted and placed in the newspapers ‘headlines.
Amanda Bonner
reads about the story and expresses a rather feminist view that would dominate
the film.
Adam Bonner
is not pleased to find out that he is assigned on the case of Doris Attinger as
the prosecutor.
He even
calls his wife to share this feeling and she is so incensed that she decides to
defend the victim of men’s prejudices.
Amanda Bonner
makes excellent points and many humorous ones, as she establishes the guilt of
the husband.
Walter Attinger,
not only neglected his wife, cheated on her, but he has also abused her and
used violence.
Adam Bonner
is no pushover and in his turn he proves that the wife responded to aggresivity
with her own violence.
Laughs can
he heard in court when different women are invited, prominent in their domain
and they demonstrate that women are equal, if not more to men.
The jury is
invited to imagine a different scenario, wherein the two women involved in the
case are men.
And Walter
Attinger is a woman in this version, and as the actor and actresses are dressed
and made up this is again funny.
The comedy
is effervescent, the dialogue is sparkling, but the themes proposed are serious
and poignant.
Especially in
the forties, when the movie was produced and women still had to gain more
rights, as they actually do even today.
If we
consider Saudi Arabia and other lands with the sharia or other laws that
restrict women rights to a bare minimum, the emancipation of women has a long
way to go.
Notwithstanding
this most important issue in the film, Adam Bonner has his points to make and
he is on the right side of the argument.
In spite of
everything, her mistreatment by her husband, her equal rights in marriage and
in front of the law, Doris Attinger broke the law when she used a gun to get a vigilante
payback and tried to revenge herself.
Excellent comedy,
with important moral and ethical themes.
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