The Ground
Beneath My Feet aka Der Boden Unter den Fusen
Nine out of
10
On some
levels, Der Boden may remind one of Up In the Air, with George Clooney and Vera
Farmiga, for in both films the protagonists have to optimize profits for
companies and thus reduce the payroll, fire people and consequently become
seriously affected by this emotional – at least in the chronical stages – business,
although the main characters in both films are charming, intriguing, strong if
also troubled.
Valerie Pachner
is absolutely extraordinary in the role of Lola Wegenstein, a personage with a
complicated history – she has been an orphan and has had to suffer traumas in
her childhood, being sent to a foster home and having an elder sister that is in
her care now – a very strong appearance, hiding psychological issues, needing
affection – again, think about the childhood – bracing herself to cope with a
very demanding job – at one point, when she is unconscious, she repeats ‘48’
and the doctor asks about it:
-
It
is in our jargon…in our business it
means going for 48 hours without a break…words to that effect
Lola has a
sister, Conny, who has been diagnosed with schizophrenia – the undersigned has
had the opportunity to interact with someone with this condition and realized
how unpredictable, strange and ultimately more than upsetting the dialogue can
be…at one point, in an public place, it seemed as if this cinephile would be
accused of some terrible and purely imagined things.
The heroine
takes care of her sister, but not in the way the latter wants, for she keeps
talking about moving out from the institution where she is supervised and where
she imagines that the others are stealing from her, she is in danger and she absolutely
would not spend another minute, forcing her sibling to invent explanations, an imminent
move, which means that she has to sell this place and get another…
The main
character is in a sometimes tumultuous relationship with Elise, who is her boss
and this complicates matters – the old adage that ‘one should not mix business
with pleasure’, at least in that sense, may have some merit, although I have
learned from our greatest philosopher, Constantin Noica, that proverbs are not
really the ‘great source of wisdom’ they are purported to be…just like in you
cannot have the cake and eat it…
The sex
scenes are jubilant, intense, provoking, even though they are very short and
there is little nudity on show, confirming the theory exposed in a documentary called
American Cinema, where one of the classics of the big screen maintained that
when they show in modern movies bodies, coitus and all, the effect is counterproductive
and the old films, where eroticism is suggested, rather than exposed have a
much bigger impact.
Lola Wegenstein
is often insecure and sometimes unstable, overwhelmed by the infernal schedule
and the heavy demands of the job, for just as she keeps a straight face when
she talks about job losses – explaining for instance to an employee that when
they decide who must go, they do not do that on a personal basis, in response
to the call made by the woman, who spoke of the child who is dependent on her,
a single mother – she is tormented by her tasks.
Unaware of
her sexual orientation, abusive and chauvinist, a client wants to have drinks
with her at the bar, after they have lunch with another partner in the company,
the consultant explains that they will maintain 85% of their workforce, people
from her firm would come on sight to deal with issues, only she seems not to be
one of those on the list, to the regret of the man who says:
-
‘Some
men would just put their hand under the table, between your legs…I will not…I am
just saying I want to do that!’
Indeed,
what a fucking gentleman…
At one
point, one of Lola’s colleagues makes her sign a sheet with wrong figures and
that causes a confrontation with Elise, who speaks about the fact that others
have started to talk about ‘burn out’, which she says is ‘like leprosy ‘in the
business of consulting…after this incident, the heroine follows the man who
cheated and placed her in a terrible position so that he gets the advantage,
the promotion, into the men’s room, where she stands while he urinates and then
challenges over what he did.
The man
arrogantly shows his penis and says that this is the advantage he has,
confirming one of the themes of the film, the idea that men are still taking
advantage of the old privileges, the ascendancy they still have over women, in
today’s world, which still has to change so much…when they organize teams,
Elise says something to the effect that we will include three men, because they
give the clients a feeling of solidity…
Lola comes
near a breaking point, she seems to imagine a call from her sister, while she is
in a very exciting, heated intimacy with her boss, in a hotel room, and she
thinks she hears Conny on the phone, mentioning that she is naked and she can
see her, making the agitated, frightened woman to run only in a bathrobe, into
the elevator, out of the hotel on the street to find the patient who must have
escaped supervision…
When she
calls the establishment, they say that this never happened, patients are not
allowed to have mobile phones and the sister is asleep…
Valerie Pachner,
with her phenomenal performance, makes this motion picture a remarkable one.
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