Bacurau,
written and directed by Juliano Dornelles and Kleber Mendonca Filho
Seven out
of 10
Given that
this motion picture has won the second most important cinematic prize of the
year, the Jury Prize at the Cannes Film Festival of 2019, where it was also
nominated for the coveted Palme d’Or, which is the most relevant, although not
at the box office, not appreciating this feature seems to be important in that
it can show the shortcomings, the lack of substance, the narrow horizon, not of
the film itself, but maybe of the cinephile, in this instance, the undersigned,
which has not been just less than overwhelmed, but kept waiting for something
spectacular, transcendent to happen to redeem the first half an hour, then the
hour and finally the whole two hours, with only eleven minutes left to the
final.
Alas, it
seemed nothing but an ordinary horror movie, with a group of alien killers,
apparently hired by a corrupt local official to eliminate voters that reject
his ways – though one intriguing aspect was the campaign of this hoodlum, who
had all the modern, latest technology available in the middle of a rather
depressed community, that of Bacurau, with pickup trucks that have big screen
at the back, where videos with the political candidature are aired, together
with the more traditional amenities of campaigns, that we ‘benefit ‘from
locally, where corrupt politicians buy votes with kilos of oil, flour and other
foods.
Variety
describes it best:
“Though
shot in striking anamorphic widescreen and laced with references to John
Carpenter, Sergio Leone and the like, Bacurau doesn’t quite work in traditional
genre-movie terms. Rather, it demands the extra labor of unpacking its densely
multilayered subtext to appreciate.”
A take that
could explain why some viewers might not be able to enjoy this killing ride –
by the way, one other inexplicable aspect is why the film is not labeled
horror, given that quite a few depart, in rather gruesome circumstances and
then some even lose their heads…literally – and that would be the inability to ‘unpack
the many layers’…but then the question is are they worth unpacking?
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