The
Irishman, based on the book by Charles Brandt
10 out of
10
Given the
glorious reception received by this magnum opus, the only thing that may be
left to establish would be what will be the place of the motion picture among
the other quintessential classics, would it be in the same top twenty best
ever, with Goodfellas and The Godfather, or right behind…Variety has perhaps a
very accurate, awed take on the latest Scorsese achievement
“The Irishman is a coldly enthralling,
long-form knockout — a majestic Mob epic with ice in its veins. It’s the film
that, I think, a lot us wanted to see from Scorsese: a stately, ominous,
suck-in-your-breath summing up, not just a drama but a reckoning, a vision of
the criminal underworld that’s rippling with echoes of the director’s previous
Mob films, but that also takes us someplace bold and new.”
This viewer
was equally exuberant, although the Al Pacino performance as Jimmy Hoffa seems
less than overwhelming, maybe somewhat exaggerated and a little artificial,
although the undersigned is not in a position to dispute the quality of the
overall production, which is not affected by the exaggeration, and even this
estimate is probably wrong, for there are surely many who would say that Al
Pacino is flawless.
The saga is
complex and there is no point in trying to touch on the plot line, which has
Frank Sheeran aka The Irishman aka Robert De Niro at the center, with a
thoughtful, restrained, perhaps perfect performance from the legendary actor,
surrounded by an ensemble that is equally phenomenal, perhaps with the exception
aforementioned, including formidable Joe Pesci as Russell Bufalino, Harvey
Keitel as Angelo Bruno, Bobby Cannavale, Anna Paquin and so many others.
A film that
would enter the History of Cinema, together with The King of Comedy, Goodfellas
and most of the other films directed by the divine Martin Scorsese.
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