American Hustle,
written by Eric Warren Singer and David O. Russell
Nine out of
10
If seen for
the first time this motion picture had seemed outstanding, on the second take
it loses some of its sparkle and scintillation, probably in large part for this
cinephile on account of the discovery that the writer-director, David O. Russell,
though definitely a talented creator, acts with such vicious aggresivity that
he has infuriated quite a few of those who have worked with him, including
George Clooney, who has stated that he had been about to…kill this scandalous
film maker, on the set of Three Kings - http://realini.blogspot.com/2019/07/three-kings-based-on-story-by-john.html.
During the
making of American Hustle, the same rather exasperating director is said to
have been extremely aggressive with Amy Adams, a marvelous actress, and
Christian Bale – another iconic figure – has had to intervene, just as Clooney
had to on the set of the Three Kings and Adams has mentioned all the torment in
an interview with GQ, said that movies are important, but not more than life
and furthermore, she had felt awful when working with Russell, that had also
had a conflict with Lily Tomlin.
It would
help viewers not to know all this, the ignorance of so much abuse made the
under signed ecstatic at the first look at American Hustle, but knowing it now,
as HBO streamed the movie last night, was such a weight and diminished the
value of the comedy, though the fact that it does not look so wonderful the second
time is also due to some flaws that are not so evident when one sees the film
for the first time, such as the presumable important amount of improvisation, which
seems to be the Russell paradigm – see Flirting with Disaster http://realini.blogspot.com/2017/06/flirting-with-disaster-written-and.html
If we look
at a summary of the plot, we may see that it Flirts with Incredulity – the con
man that works with the exotic FBI agent, trying to get to the mayor of New
Jersey, then to some politicians, members of congress and in the process comes
across the Mafia that operates some casinos and then get a ‘fake’ sheik to
entice some or all of these shady characters, then the reverse operation to
trap the two million transferred by the FBI, based on the look at another ‘fake’
this time a false lawyer for the infamous Mafioso, who speaks Arabic by the
way, looks so absurd as to be…well, surreal and seen a second time, loses its
appeal and gets somewhat idiotic at times, unconnected, disjointed, though it is
surely in large part due to the acknowledgment that the writer-director has
done so much harm and thus one can be tempted to look with a magnifying glass
at the faults…maybe a case of ‘the mind is its own place, it can make hell out
of heaven and heaven out of hell…’
The cast is
nevertheless superb, even when abused by the one that was supposed to comfort
and support them, starting with the phenomenal Christian Bale – fantastic recently,
again in Ford v Ferrari http://realini.blogspot.com/2020/01/ford-v-ferrari-written-by-jez.html
- as the con man Irving Rosenfeld, joined by the splendid Amy Adams as Sydney
Prosser, a former pole dancer who impersonates an English lady with connections
at banks, so that she can convince people to come and pay $ 5,000 to Irving, in
order to get a loan of 50k, only to be left with nothing, up to the moment when
extravagant FBI agent Richie DiMaso enters the stage and cornering and
detaining Sydney for three days, he extracts an agreement to get help to
convict four criminals in exchange for freedom…
They get
the rather complex mayor of Jersey, Carmine Polito aka Jeremy Renner in their
sights, trying to bribe and catch him in offside, but the man walks away when
Richie pushes too eagerly, only to be stopped in his tracks by the convincing,
charming Irving, who becomes a bosom friend of the politician and brings in a
sheik – another FBI agent in disguise, an American -Mexican that protests amusingly
to the name of the operation that appears rather racist, only to have the con
artist retort…’you are Mexican, what the fuck do you care?’
The maneuvers
are sometimes hilarious, as the relationship between Richie aka great Bradley
Cooper and his boss, played by the now disgraced but oh, so wonderful when he
was on stage, Louis CK, who keeps starting an anecdote with the fishing
expeditions that he had had with his father and brother, only to be diverted or
stopped by the man under his command – Richie curls his hair, lives with his
mother – and they share responsibility over the fish tank, which he has to feed
and she has to keep aired or something that she fails to do and the fish die –and
has a fiancée that he does not admit to, engaging in a bizarre, sometimes
erotic and at other times outré affair with Sydney, verging on the very
intimate, but just as they are about to have sex in the public restroom once,
they stop and deflect in a rather strange manner…
Just as
they bring in the sheik aka undercover agent, the stakes are raised when they
come across the Mafiosi that had been operating casinos and gambling houses for
decades, often through murder, extortion and illegal means anyway, one of them
becomes too close to the estranged, crazy wife of Irving, Rosalyn aka Jennifer
Lawrence – with a reputation of being ‘Teflon’ versus the calamitous behavior
of the director – and thus becomes party to some conversations which the spouse
overheard on the phone and which result in Irving being threatened with death…
It is a joy
ride for those who see it for the first time and are unaware, disinterested in
what happens on the set, during filming and only care about the end result, which
had been acclaimed with no less than 10 (!) Oscar nominations, although it has
won none…
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