Honeyland,
directed by Tamara Kotevska and Lyjubomir Stefanov
Nine out of
10
Spoiler alert:
the undersigned is biased…more than that, jealous at the success of this ‘new
nation’, that has just been born – well, not really, they have been there since
ancient times and this is one reason they have had and still have a dispute
with Greece over their name, given that there might be a future claim on a
province in Greece that could potentially be demanded by North Macedonia…
I mean, we
have been there for so long and never had a nomination of our own – notwithstanding
the fact that 4 Months, 3 Weeks and 2 Days was more than deserving of an Oscar,
never mind to be on the short list, since it was included by TIME Magazine and
others among the best 100 movies made in the past decades http://realini.blogspot.com/2017/05/4-months-3-weeks-and-2-days-aka-4-luni.html...
Winner anyway of the most important cinematic award in the world, The Palme d’Or
in 2007, at the Cannes Film Festival
And here
comes this North Macedonian film and grabs not just one, but two Academy Awards
nominations, if granted, it has no chance in the category for Best
International Feature Film and it could conceivably do better in the Best
Documentary Feature chapter…
This is extraordinary
for this magic, if often quite depressing film, the fact that the film makers
just follow in the footsteps of Hatidze Muratova, an amateur, not a
professional actress, the last female bee- hunter in Europe we learn, hence the
Honeyland name, as she works with the bees, takes care of her sick mother, who is
eighty-five and often unable to follow, understand what is said to her, making
this viewer recall a (vicious?) joke
There is a
joke about this amnesia:
Two old
ladies go to visit a third. When they arrive:
“-how good
to see you, let me make you a coffee
After a
short while:
- But I forgot to give you a coffee.
She offers them coffee. Five minute pass…
- Let me not forget to offer you a
coffee. Another coffee and ten more minutes:
- Before you leave, you must a
coffee with me. More coffee and Then again:
- You are my guests and I have not
treated you with a coffee…on the way home, the two ladies:
- Did you see dear, how “gone” Mitza
is- she kept mentioning a coffee that never came
- Who is Mitza?
As a matter
of fact, watching this motion picture is not cause for mirth, there are scenes
that hurt, the old woman hurts herself and the eye we see is terrible and we
know this is not make up and/or special effects, just like in the case of the
boy who is chasing and causing pain to animals and the little girl that falls
against some hard surface…
It is so
grim and gloomy, kids are so dirty and destitute that this viewer – who has
seen poverty, for he comes from nearby – expected the worst, perhaps animals
killed in front of the camera and felt he has seen quite enough after a while,
sure and perfectly enlightened on the matter of the clear value of this
extraordinary film making…
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