On Aura Tout
Vu aka Now We’ve Seen It All by Francis Veber
Eight out
of 10
This comedy
was destined to be forgotten until this note has resurrected it – with our ‘outlandish’(to
quote the silly counsellor in the impeachment trial of the world’s most repellant
buffoon) audience, the multitude of readers will propel this to the top of the
charts… this is only a joke, alas – and although this is not on the list of
Best Comedies Ever – for that, you should consult our site, http://realini.blogspot.ro/ - it has
some mirthful, blissful moments and furthermore, the idea is excellent, if
executed sloppily at times, as in the second part that peters out into
irrelevance to some extent and if not that, then it is almost certainly a cliché
development in which they all live happily after…no it is not this either, but
somehow, some of the actions of the personages seem to be in the déjà vu class,
though the owner of the villa shocks with her decision to partake in the
profits of the sex industry and go along with the project…
The main
theme is splendid and so relevant for the movie industry or the screen trade, as
the magnificent William Goldman – winner of two Oscars for historical,
masterpieces All the President’s Men and Butch Cassidy and The Sundance Kid –
called it in the title of his magnum opus Adventures in the Screen Trade, with
the idea that those involved, especially the marginalized, forgotten, sometimes
talented, but not famous ones, become prostitutes in selling their services in
degrading circumstances …we could argue about that – Martin Scorsese seems to
have made the point recently and Ricky Gervais joked on it in the monologue at
the recent Golden Globes, where he mentioned the Disney Park like motives of
cartoon based films and multiple sequels, but then he scolded the greatest
director alive for going where he should not get in, because of his ‘stature’.
Pierre Richard,
a legendary French comedian of extraordinary magnitude – one film where his
outstanding talent is evident is Un Profil Pour Deux http://realini.blogspot.com/2018/04/un-profil-pour-deux-aka-mr-stein-goes.html
- has the role of Francois Perrin, the hero of the narrative, in love with
Christine Lefebvre aka equally gifted Miou-Miou, who gets involved in a rather
spectacular charade, in which the script of his friend, Henri Mercier, is taken
up by a pornographer, the ravishing Jean- Pierre Marielle as Bob Morlock, who is
ready to make a film with the altered in the extreme script, now called La
Vaginale, most appropriately, given that in the first few seconds, the maid
takes the broom she using to inset it in her anus, to the horror of those who
read the ‘modified’ scenario…
The most abhorred
individual is Christine, so disappointed in the man she loves that she would
take vehement action, so forceful that it becomes hilarious at moments, such as
when she decides to join the cast of the pornographic film, to impress upon the
hopeless Francois the extent to which he is humiliating himself, when directing
such a carnal production, and he is so terrified of the prospect that his lover
would have sex on the set that he tries everything to avoid this eventuality,
even if she insists when she sees she cannot force him to abandon the project,
after reading Moliere in the nude, in front of Morlock, or when she makes him
so ashamed, by queuing in front of a cinema with porn in the program and talking
loudly, at times shouting, about ‘double penetration’ and other terms from the poster
of the Pipeuses or whatever the name of the sex feature was…
Even if
this is not of the same magnitude as Dr. Strangelove or How I Learned to Stop
Worrying and Love the Bomb, as one of the ten best comedies ever made, it is entertaining…well,
at times anyway
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