Auggie
Rose, written and directed by Matthew Tabak
9.3 out of
10
The story
of John Nolan and his Transformation, Redemption, Epiphany or/and Resurrection
– however you want to call it – could serve as well, just as we face a dramatic
scenario ahead of us, the trauma of a calamitous pandemic and we have to make
choices, change the way we interact – what comes after social distancing? –
look at the world, meaning, our lives in a completely different light and find
that we have done things wrong – in the extreme case of the hero of this film,
he wants to change Everything – and find inspiration from John Nolan aka Auggie
Rose perhaps, in that we get the courage to act decisively, find our calling
In The Time
of the Corona Virus, just like in the Magnum opus, Love in the Time of Cholera,
by the divine Gabriel Garcia Marquez, included on The Guardian’s Top 100 books
of All Time - https://www.theguardian.com/world/2002/may/08/books.booksnews - we need to adapt, take some
drastic measures and perhaps enjoy the time we need to spend in self-quarantine,
at home, watching movies for which we may consider compiling a list…on such ‘to
watch’ note, Auggie Rose could be inserted, though critics have either ignored
or been less than enthused, with the exception of the Los Angeles Times by this
compelling story.
The main
merit of the film may lie with the seraphic, hypnotizing, serene, captivating
Jeff Goldblum, who acts with majesty and also ease in the leading role of John
Nolan, who might or might not become Auggie Rose, the personage that dies in
the first few minutes of the motion picture, in a violent and stupid robbery,
during which he gets shot, in a store where he was a kind of good for all hand
– though he would later write to his pen pal that the owner was a generous man
and gave him the position and had the kindness to name him assistant, to boost
his self-confidence perhaps or just without a psychological intent.
John Nolan sells
insurance and he would tell another character that he has done this for a long
time – it seems that it had been for too long – and he has had to tell people
to buy policies for various unforeseen events, in case of tragedy he would take
care of them or the loved ones, but all he has ever done was to send them a check
and not really empathize with them, their traumatic experiences or the ones
left behind…
However,
this insight into what looks like the remorse, the belated realization that his
job has had little emotional impact or others comes later in the game and in
the beginning, the audience and some participants in the narrative are more
than confused by the attitude of the hero, their puzzlement giving place to a
rising alarm, as the insurance salesman becomes ever more involved in the
‘case’ of Auggie Rose…
There is an
absolutely understandable reason for the interest in this figure, for the
assistant in the shop dies in the hands of John Nolan, as he was a customer in
the store, when the killer shoots the poor victim, the insurance man was just
there and then he tries to see what has happened to the individual, finding
that the wounds have been deadly and then that there is nobody to claim the
body and this is the moment when the survivor feels pity – now, we may have to
meditate on that, for Milan Kundera, in his acclaimed chef d’oeuvre The
Unbearable Lightness of Being http://realini.blogspot.com/2017/11/the-unbearable-lightness-of-being-9-put.html - explains that there is a
difference between pity and compassion, we feel the former for someone
‘inferior’ and the latter for ‘an equal’
The story
of John Nolan and his Transformation, Redemption, Epiphany or/and Resurrection
– however you want to call it – could serve as well, just as we face a dramatic
scenario ahead of us, the trauma of a calamitous pandemic and we have to make
choices, change the way we interact – what comes after social distancing? –
look at the world, meaning, our lives in a completely different light and find
that we have done things wrong – in the extreme case of the hero of this film,
he wants to change Everything – and find inspiration from John Nolan aka Auggie
Rose perhaps, in that we get the courage to act decisively, find the calling…
As to
finding the Calling, Positive Psychology has the way, as indicated by Harvard
Professor Tal Ben-Shahar, who says that we have to look at what we Like, then
identify the things we are Good at and finally see what has Meaning for us and
where these domains intersect, that is the Zone where we would have our
Calling…we would be in Flow as a result of that, for most of our lives and as
to Flow, you should read the quintessential, classic Flow by another Giant of
Positive Psychology, Mihaly Csikszentmihalyi…the former illuminati used to joke
about the name of the latter with his students, saying that if they can spell
the name, they would get two more points at exam…
John Nolan
becomes a private investigator in the case of the late Rose, unqualified, but
obstinate, going to a prison where he finds little information, but he would
still try and get more from the flat rented by the deceased, where he finds a
pawn shop note and in consequence becomes the owner of a beautiful, smart
parrot, Charlie – I have two macaws, Balzac and Puccini and they help or are
responsible for the flaws of this scribbling – …the amateur detective also
finds some emotional letters from Lucy Brown aka Anne Heche and he would decide
to meet with the woman, at the bus station where they had planned an encounter,
before Auggie would have died, something the correspond is not aware of.
Gradually,
John Nolan takes the identity of the dead man, to console Lucy, another time
because he is mistaken by a small time gangster, Roy Mason aka Timothy
Olyphant, who thinks he is the ex-jail bird who can help him organize and then
finalize a robbery, only to find that this is actually someone impersonating
the late convict and with his negative, suspicious mind set, the scoundrel is
sure that there is an insurance or some other scheme here, of which the false
Rose would have to benefit from and he obviously wants his share, blackmailing
and threatening, both the new Auggie and his ignorant girlfriend…
Although
this is not a masterpiece of the magnitude of It’s A Wonderful Life, it is
however a thought provoking film, and as stated twice, the example of the hero
who thinks hard, sees that his life has not had meaning, when faced with death,
he decides to change completely…reminding one of Dostoyevsky and his look at
death.
When the
genius had been condemned to death, he had three minutes left before the firing
squad would shoot him and in the last moments he is pardoned – if it had not
all been a strategy to make him reconsider his views – and he writes in his
Magnum opera about what he saw in the last few moments, how important life
becomes, what sublime intensity is drawn from this and much more…read his work
to be elated and transcend
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