Stolen Kisses
aka Baisers Voles, written by Francois Truffaut, Claude de Givray and Bernard
Revon, directed by the former
Nine out of
10
This motion
picture has been included on The New York Times’ Best 1,000 Movies Ever Made
list https://www.listchallenges.com/new-york-times-best-1000-movies-ever-made/list/21
- and it was nominated for the Academy Award for Best Film in a Foreign
Language.
It is obvious
why critics have appreciated such a remarkable feature, written and directed by
one of the Gods of cinema, Francois Truffaut, author of classics like The 400 Blows
- http://realini.blogspot.com/2018/03/les-quatre-cents-coups-aka-400-blows-by.html
- Day for Night - http://realini.blogspot.com/2017/08/day-for-night-written-by-jean-louis.html
- Love on the Run http://realini.blogspot.com/2017/11/note-on-love-on-run-writer-director.html
Baisers Voles
has reminded this cinephile of another legend of film making, Luis Bunuel, who
gave the world The Exterminating Angel http://realini.blogspot.com/2017/06/the-exterminating-angel-by-luis-bunuel.html
- the shocking, historic Un Chien Andalou http://realini.blogspot.com/2017/10/note-on-un-chien-andalou-director-luis.html
However,
Stolen Kisses seems to have more in common with Belle de Jour - http://realini.blogspot.com/2017/06/belle-de-jour-directed-by-luis-bunuel.html
and perhaps even more with The Discreet Charm of the Bourgeoisie, in the sense
that there is the same sense of the Absurd, a humor that, if not descendant
from Eugene Ionesco, where rhinoceros are running in the streets, but there is a
strong element of absurdity nevertheless…
Antoine Doinel
is the hero of the film, the one who joins a detective agency after being
discharged from the army, where he has clearly misbehaved – in the opening scenes,
we see the young man making funny faces, and just as his superior is reading
from the forms that comment on how unfit he was so this is quod erat demonstrandum
The protagonist
loves Christine Darbon, but in what many may see as classic French fashion –
well, in the fifties anyway, when the French ‘ménage a trois’ may have been, if
not widespread, at least not shocking, the hero becomes infatuated with another
woman.
At the
detective agency we see a collection of bizarre individuals that act pretty
much in the manner of the sick American president of this day…he will not be
there next year…Insha’Allah!
One client
comes to the office to ask that they obtain information on a…magician, but he appears
to be the one he wants investigated, and while he is asking for these services,
he keeps playing with his hands, one of which is in a glove!
The magnificent
actor Michael Lonsdale has the role of Georges Tabard, a shoe shop owner who
sees that everyone is more or less disgusted with him; they have a negative
perception that he wants to be…investigated!
Therefore,
Antoine Doinel is hired at the shop, after a setup, a phony selection to
distract attention from the newcomer and avoid any suspicion as to his
connection with the patron, to allow him to spy on the employees.
The hero
falls in love – or so he thinks for a while – with the wife of the shop owner,
Fabienne Tabard, who would overhear the young man as he sings her praises and defends
her in a conversation with a girl from the shop.
In a conversation
with the woman he admires, or he just craves sexually, he refers to her as if
she were a…man and in response, though he jumps up from the seat, walks out
from the shop and even wants to be given another task, the woman would respond in
kind…
Madame Tabard
walks to the reception, looks into the book of employees, finds the address of
the newcomer, buys three ties and then walks to his flat, where she says
serenely that she would get into…his bed.
Yes, if
after a couple of hours they see that there is nothing further to this, they
would just walk out and never see each other again, in what looks like flower
power, hippy, or just French revolutionary fashion…
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