Don’t Get
Out written and directed by Christian Alvart
Six out of
10
This seems
to be the perfect proof that Hollywood does not have a monopoly on preposterous,
over the top, impossible to believe productions that look like the material to
use in cinematic classes, under the label: Don’t Get In…something like this.
The premise,
continuation, execution, turns in the plot may keep viewers looking, but they
are so exaggerated, provocative to the point of being annoying that this film is
better avoided…the father who is trapped in a Mercedes SUV by a lunatic who
wants a transfer made from the car, from a common private account and the
company’s money, when agreement is needed from various board members may look ‘modern’,
since we now have access to anything from the mobile, but it stretches
credibility much too far.
This is Germany,
with serious, law abiding citizens, even though there is crime there, and to
see different people in the law enforcement acting like if they operate in the
Trump administration – as an epitome of chaotic, abusive, egotistic, cult –like
operation – when they argue over what to do with the suspect and they just act
like fools…this is all hard to take
It is therefore
useless to continue and look at the stupid act committed there, followed by
another at the next stop, all coming together after a couple of minutes…
This is a
very disappointing movie.
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