Ieri, Oggi, Domani
aka Yesterday, Today and Tomorrow based on stories by Alberto Moravia among
others and directed by Vittorio de Sica
A different version of this note and thoughts on other books
are available at:
- https://www.youtube.com/playlist?list=PLEVa4_CsRStSBBDo4uJWT8BSWtTTn0N1E
and
http://realini.blogspot.ro/
This is a wonderful comedy, that will be followed in the
program of the National Television with another gem next Monday, another
Italian masterpiece.
It has won the Academy Award for Best Picture in a Foreign
Language and other prestigious awards.
Sophia Loren and Marcello Mastroiani are superb in this
trilogy.
In the first part, Adelina Sbaratti is married to Carmine
Sbaratti.
She has to provide for him and their many children.
I don't even know how many they were...perhaps the two of
them have lost count.
Since Adelina Sbaratti is involved in an illegal trade with
cigarettes, having children is an odd way to stay out of...prison.
At least for some time.
From the start of the film, we have an authority who is
facing down Carmine Sbaratti:
-
You had to
pay a fine
-
Because
the wife did not, the sum owed is bigger now...
-
Do you
want to pay it?
-
How can I?
If I could not pay less, how could I get the money for more??
-
Then we
have to take the furniture and everything else!
Only when he enters the shabby rooms, there is nothing
left...
-
You took
everything!!
Indeed, after the authorities leave, from a side street
people come back with the Sbaratti belongings.
A lawyer scares them hard when he says that what they did
was very serious according to the Penal Code and he cites some articles and
laws.
In the known, agitated, humorous, effervescent and
passionate Italian style, Adelina and her spouse come to the lawyer and shout
something like:
-
Mamma Mia!
-
Come e
possibile!
-
Santa
Maria e mio Padrone!
She is very worried that she will go to jail.
But when the lawyer sees she is pregnant he mentions other
provisions of the law:
They cannot arrest you in this state!
And it now becomes a race to have children continuously.
For this is a pass out of prison and she wants to use the
stratagem to the end.
When the tax officials raid the streets, all the women run
away with their folding tables and their trafficked merchandise.
It is only the women who do this for some reason.
But Adelina stays put because she is other obviously
advanced in her pregnancy or she has a certificate from the doctor saying she
is that many months pregnant.
There is trouble and jocularity when poor Carmine becomes
exhausted with this task of fathering so many children:
When the children are in bed she always turns to me and
says...
Come on Carmine it's time to perform...or words to that
effect
The tired, malnourished man is resting at his mother's.
And his wife mocks this and even turns against him when
a new, perhaps tenth child fails to
materialize and there is no impregnation.
They get to a doctor, not an analyst as they would today or
even back then in a richer country.
The doctor examines Carmine and he says:
-
The
husband needs rest
-
He does
not eat well and he is fatigued.
-
Let him be
for a few months and then he will be alright.
Adelina protests with vehemence.
And indeed, given that she has no medical pass, she ends up
in jail, with the infant baby that covered for her last time.
In a remarkable show of solidarity, the community
participates in collecting the sum needed to pay Adelina's fine.
In barber shops and everywhere they have boxes for money to
be offered for her liberation.
And yet that is delayed on account of bureaucracy.
Adelina shouts at her husband when he is visiting...
-
You run at
your mother!
-
Feeble
man!
-
Why don't
you get me out of here?!
But she she is faithful.
When the occasion arises, she rejects the man who wanted to
give her another child and a pass for Prison Break...
Excellent chef d'oeuvre!
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