The Fixer, directed by Adrian Sitaru, based on
a story by Claudia Silisteanu
A different
version of this note and thoughts on other books are available at:
- https://www.youtube.com/playlist?list=PLEVa4_CsRStSBBDo4uJWT8BSWtTTn0N1E
and
http://realini.blogspot.ro/
Fixeur is a
very interesting Romanian Film.
The themes
of people trafficking, ethics and journalism, forced prostitution of minors are
at the core of the movie.
Among the
heavy, overwhelming subjects there is some humor.
In one
scene, French journalists, the Fixeur and prosecutor are in a restaurant.
This takes
place in Bistrita.
Portraits
of famous people born in or near the town adorn the walls.
The
prosecutor is proud to show off the local extensive pool of talent:
-
Look, Rebreanu is there
The Fixeur
translates and explains
Then he
mentions another name- I forgot, was it Camil Petrescu?
Nevertheless,
he is contradicted by the Fixeur, who identifies another famous author:
-
That is Octavian Goga...
I thought
this was somewhat humorous, taking pride in local intellectuals, but confusing
one with the other.
Otherwise,
the narrative is a description of hell, very frequently.
The Fixeur
wants to be a journalist with a foreign media outfit.
But until
and in order to get that job, he is fixing interviews, meetings.
I identify
with him, for I have been doing exactly that during the months following the
Romanian Revolution.
Having had
the chance to meet with Michael Meyer of Newsweek, James Wilde from Times,
Christina Nylander from Radio Sweden and others I had the chance to translate,
and be a Fixeur.
And there
were challenging situations, of a different kind than those in the movie: a
miners invasion, the government building was occupied...
Tudor Istodor
is the good actor who plays Radu aka The Fixer and Mehdi Nebbou is also
excellent as Axel, leader of the French team.
Diana Spatarescu
is a debutante and I do not know how old she is, but her difficult task of
portraying Anca, the abused teenager is accomplished with success.
There are
mostly uneasy, embarrassing scenes that concern the little girl, who has been
clearly disturbed by her experience.
When I say
clearly, I do not mean an extravagant, exaggerated moaning or an over the top
performance.
On the
contrary, the young actress is very restrained and that helps with a more
powerful message and the audience is better affected.
There is an
outrageous, anticlimax moment when the Fixer (name that reminds one of a
masterpiece by Bernard Malamud) is alone in the car of the prosecutor with the
victim of child trafficking.
By the way,
this very fact that a conversation with the press is supposed to take place in
the car of the prosecutor is more than unethical and unprofessional, it could
well be an illegal act and notwithstanding that it is Wrong.
In the car,
all over the sudden, Anca says to Radu:
-
You want me to suck you?
-
No!! No!!
-
I know you want it!
And the
young would be journalist has to push the poor, disturbed girl away, hurting
her a little in the process.
Another low,
could be estimated as abject moment is when Axel is making the girl repeat
three times the words she knows in French
-
And they are the rudimentary
exchange between a prostitute and a client, with price and offer:
-
“La pipe cinquante euros”
Variety has
a laudatory review about this film.
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