joi, 10 august 2017

City of God, written by Braulio Mantovani, based on the novel by Paulo Lins, directed by Fernando Meirelles and Katia Lund, 9 out of 10

City of God, written by Braulio Mantovani, based on the novel by Paulo Lins, directed by Fernando Meirelles and Katia Lund
9 out of 10

Notes and thoughts on other books are available at:


Critics and audiences agree on Cidade de Deus.
The public has rated this violent, extraordinary film at number 21:  http://www.imdb.com/chart/top?ref_=tt_awd

And TIME magazine has included this motion picture on its All-TIME 100 Movies list:


And City of God was nominated for four Academy Awards, in the year when Lord of the Rings took so many prizes.
In my book, Cidade de Deus is better than the winner of the Oscar for best motion picture and the director prize for that year.

Having said that, it must be added that this film is quite difficult to watch in many if not most of its scenes.
From the start, I think we are shown how they kill a live chicken on camera and if not all the blood and death dance, at the very least, the images of the seemingly still warm body and the plucking of feathers are gruesome.

Veganism is the way out.
One bird gets away and a whole band of children mostly runs after the animal, which escapes miraculously.
“What should have been swift revenge turned into an all-out war. The City of God was divided. You couldn't go from one section the other, not even to visit a relative. The cops considered anyone living in the slum a hoodlum. People got used to living in Vietnam, and more and more volunteers signed up to die.”

It all happens in the poor slums of Rio de Janeiro, where rival gangs fight with no mercy and apparently no mercy.
In one scene, Li’l Ze, perhaps the cruelest, most despicable of the killers involved, catches a few children.

True, there appears to be no lower limit to adhere to a gang or just start with a few buddies to rob stores.
Li’l Ze is the leader of most of the City of God, at least for a period, having killed rivals and leaders of various territories.

When he has the two kids in front of him, he is asking them to choose- leg or hand, for he will shoot them where they choose.
And not just that, after the children, who are no more than six years old, are shot in the foot, in spite of choosing the hand this Godfather has other ideas.

He picks one of his upcoming underlings, another child, aged twelve maybe, who wants to be part of the gang and says to him

-          Now it’s your moment
-          You choose and kill one of them

Being raised in this extremely violent environment, little boys become killers at a very tender age and they steal and fight.
“Filé-com-Fritas - Steak and Fries: A kid? I smoke, I snort. I've killed and robbed. I'm a man.” And most of the other characters have the same point of view.

Peaceful bystanders cannot stay of this all out, continuous war, for they get trapped and killed without any remorse.
In one instance, Li’l Ze and his band attack a young man and his girlfriend- the narrator explains that this is the only way the gang leader knows to get close to a girl and the general attitude is one of sexist, macho chauvinist males.

After he abuses and rapes the girl, beats the young man, the crazy mobster stops away from the scene of his crime and thinks- “why didn’t I kill that dude?!”
So he goes to his house, shouts that he wants the boy out, his brother comes and tries to reason with the gang of maybe 30 killers.

Unsatisfied, they kill the brother and start a shooting spree, covering the poor house in a rain of bullets, killing an uncle too.
The police are not just corrupt and involved in the drug trade and taking sides according to the pay off, but itself involved in killings.



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