The Pianist, written by Ronald Harwood, based
on the book by Wladyslaw Szpilman
9 out of 10
Notes and
thoughts on other books are available at:
- https://www.youtube.com/playlist?list=PLEVa4_CsRStSBBDo4uJWT8BSWtTTn0N1E
and http://realini.blogspot.ro/
The Pianist
is one of the best films ever made.
And there
is plenty of evidence to support that claim.
It won the
most important and relevant award in the cinema world, if we are talking real
masterpieces:
-
The Palme d’Or at the Cannes Film
Festival
The Pianist
has also won the Academy Awards for Best Actor in a Leading Role, Best Director
and Best Writing.
It won the
BAFTA Awards for Best Film and the David Lean Award for Direction- Roman
Polanski being the recipient.
As for the
Academy Award, the director could not be in the audience to receive it given
that he was –maybe he still is- charged with statutory rape or some similar
crime, when he had had sex with a girl that was under age, quite a few decades
ago.
Robert Evans
writes in his book The Kid Stays in The Picture about how he had brought the
Polish film maker to Hollywood.
They have
worked on Rosemary’s Baby and we get some back stage details on that film,
involving Mia Farrow, her husband at the time- Frank Sinatra, the latter’s opposition
to his wife staying longer for the project and more innuendo.
The public
appreciated The Pianist which is voted at number 41 on The IMDB list of most
popular movies ever.
The film
presents an extraordinary tale, of the survival of the great pianist Wladyslaw Szpilman,
played by Adrien Brody.
Apart from
the wonderful talent proved while working on this film, it is amazing how much weight
the actor has lost.
The ordeal
and massacre suffered by the Jewish people is well known and one page of that
horror involved the hero of the film and his family.
The audience
is horrified by the suffering in the ghettos, from which the pianist manages to
escape after some time.
But his
pain is just beginning, because he has to go in hiding and rely on some good,
generous men and women who offer support.
One of them
is supportive to begin with, but then it turns out that he collected a lot of
money from donations and he stole it.
There is very little food to eat and at one
stage there is no more water…after becoming sick, the building wherein he is
hiding comes under artillery fire from the German troops, responding to partisan
attacks.
The hero
barely escapes and he has to eat and drink in disgusting conditions, all the
time freezing in the cold of a heavy winter.
The resilience
and grit of this unfortunate man are astonishing, given his slim figure, a fact
which is not to his advantage.
It is an unbelievable
escape, for he has a brush with death in so many occasions, from the ghetto
where a German is searching his sack of potatoes in which he had weapons that
escape the Nazi, to the moment when he lies down on the street, pretending to
be dead, when fascist troops are marching by.
In this
complex, powerful and true narrative, we have good people on all sides, and the
pianist finally finds a Nazi that is kind to him.
Captain Wilm
Hosenfeld finds The Pianist hiding in one of the few last standing houses in a
neighborhood that is in ruins- I was actually wondering how did they film this;
it must have been special effects.
This German
captain does not kill or take as prisoner the hiding Pianist, but on the
contrary, he brings him some food.
One of the
few humorous scenes, overwhelmed otherwise by the heavy, dark, sad atmosphere
of the film takes place with the German…
When they
meet, Wladyslaw Szpilman is in a horrible, terrible state, very, very thin,
unshaven, haunted and desperately hungry.
All throughout
his conversation with the enemy, who wants to see where he lives and then wants
to hear the Pianist sing, Wladyslaw Szpilman carries with him a big tin with
cucumbers, the only food he could find in his refuge…
And he
would not let go of that.
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