You’ve Got Mail, written and directed by Nora
Ephron, based on the play by Miklos Laszlo
You may
find this comedy endearing, romantic, and charming or dismiss it as overblown,
artificial and preposterous, depending on how you appreciate the acting of Meg
Ryan, for instance, that does not do any favors to this feature, in the view of
the undersigned.
Meg Ryan is
phenomenal, outstanding, fabulous in a comedy that is in the top Best 10 Comedies
Ever Made, if not the Top Five, When Harry Met Sally, but even if she was
nominated for a Golden Globe for Best Performance by an Actress in a Motion
Picture – Comedy or Musical, her presence here is not as successful as she was
in the role of Sally.
In this
Mail motion picture, she plays Kathleen Kelly, the owner of a bookshop, an
intelligent, determined, kind – she has never fired any of her staff – perhaps somewhat
less exceptional as a manager, in an age when profits keep a business alive –
indeed, except for the failed communist doctrines, that is essence of commerce.
Threatening
her livelihood, Joe Fox aka Tom Hanks, a mogul owner of a bookstore chain opens
a new outlet in the neighborhood, to the chagrin of employees, shop proprietor,
well-wishers and other romantic characters unaware that Amazon would sink them all
anyway.
This is one
aspect of the script that, although well intentioned and make some kind of a point,
is otherwise off the mark in that it seems to promote what? – Socialism, the
idea that profits must be forgotten and everyone should work for charity?
Yes, there is
a strong case in favor of shops that are
near, do not look like shopping malls – as Kathleen Kelly explains in a speech
delivered before a crowd that gathered to keep the bookshop alive – and provide
a quintessential service for their community, with staff that know their books,
as opposed to those hired in the book megamall.
However, as
Amazon has proved in the meantime – the film was released in 1998 when writers
could not anticipate the magnitude of the colossus that dominates the book
selling industry and so much else as part of the FANGs fighting the BATs, that is
American Internet giants versus their Chinese counterparts, Facebook, Amazon,
Netflix, Google against Baidu, Alibaba and Tencent…
One day, Joe
Fox enters the bookshop of his miniscule competitor, with his children, who
want to buy some books and gifts; they get to know the friendly employees and
owner, without divulging the fact that he is the loathsome magnate that might
crush them soon.
Nevertheless,
they soon meet at a social gathering, where they change some words, to the
amazement of some friend who knows the man, comes to Kathleen in wonder at the
fact that she is talking to her fierce enemy, at least in business terms.
From this
moment on, they meet in the neighborhood, after they have a clash at that
social shindig, trying to avoid each other, while they communicate through the
mail in the title.
In virtual
reality, they get along famously, she opens up to him, even asks for advice,
seeing as she is in financial straits and her shop might have to close, he says
he is a successful business man and he can tell her what to do – without specifics,
for they have agreed to anonymity online.
As the real
Joe, the virtual stranger has a fixation on the Godfather, opining that this is
the ultimate work, the philosophy one needs, for it provides answers for all
sorts of situations.
When they
first met, the hero tries to be funny talking about the moment when Tom Hagen
speaks with the film director about offering an important part – the leading
one actually – to a protégée of Don Corleone – based probably on Frank Sinatra.
The director
refuses, explains at dinner the way the actor has taken advantage of a young,
beautiful actress that they both liked and is now ruined, therefore the film
maker would never forget or forgive and there would be no part in any of his
future films…up to the point where he finds the infamous head of Khartoum in
his bed, early in the morning.
In the mail
messages they exchange, the business guru talks again about The Godfather, with
the solution for the problem: “go to the mattresses” which means in the chef d’oeuvre
fighting the other criminal families and in this comedy it suggests that the
woman needs to battle for her shop.
When the
romantic leads agree to meet, Joe Fox discovers that the woman he talks to
online is actually his bitter enemy, so he hesitates, walks in and maintains for
a while the pretense that he is not the same person as the “virtual partner”.
Some would
like this and find it amusing.
This cinephile
did not.
It feels syrupy,
false, pretentious and ultimately misguided, for two people who hate each other
initially might find that the object of their fears, loathing might be not as
bad, but to base a long term relationship on some exchanges from the airless,
fake medium of the internet which are contradicted by face to face antagonism
seems futile and destined for catastrophe.
But hey,
who knows, they say love is blind, then that it finds a way, opposites attract,
in love you never say sorry…there is so much stupid and clever talk on the
matter that we cannot propose a definite, reasonable statement.
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