Marie Antoinette,
written and directed by Sofia Coppola
Marie Antoinette was nominated for the most
relevant cinema award at the 2006 Festival, the coveted:
The Palme D’Or
For this film buff, this nomination means that
Marie Antoinette was one of the best motion pictures of 2005.
However, the production was controversial, even
if it won an Academy Award in the technical arena.
It has to be admitted that there are two ways
to look at this movie and indeed, at anything else:
“There is nothing good or bad, but thinking makes it so” – Hamlet
On the one hand, the interpretation of the
magnificent Sofia Coppola is rather phantasmagoric, postmodern maybe.
It is an astonishing contrast between Marie
Antoinette and The Beguiled, the latter launched in 2017.
Sofia Coppola has won the Cannes Festival award
for Best Director for The Beguiled, at last year’s ceremony.
Furthermore, the same production was also
nominated for the grandest prize of all…The Palme D’Or.
Only this most recent creation from the
extraordinary filmmaker is subdued, restrained and dark.
While Marie Antoinette is flamboyant,
effervescent, with literal and artistic fireworks, modern and fresh.
Those who contest the film thought it was too
farfetched and modern for a historical production.
The costumes are sumptuous- they have won the
Oscar for good reason- but the sets are also ravishing.
For the BAFTA Awards in 2007,
the motion picture was nominated for:
Best Production Design, Best Make Up & Hair and Best Costume Design…
Kirsten Dunst is very good, alluring, wild,
admirable in the leading role of the tragic queen, albeit we see her in the
glory days of the reign.
The actress is a favorite of the writer,
director and producer Sofia Coppola, for she is also present in The Beguiled.
Jason Schwartzman, if this information is not
wrong, also a member of the extremely talented Coppola family, is King Louis
XVI.
Both King Louis and his consort have made
mistakes, but their fate is too catastrophic and not deserved.
First, there are apocryphal
statements…
Queen Marie Antoinette is supposed
to have said
“They do not have bread?
Well,
let them eat cake then!”
Historians say that she did not
say this.
It
is however testament to the fact that the image of the queen was terrible and
the people hated her.
Indeed, once the revolutionaries reached the
fabulous, magnificent, glorious, triumphant palace, they shouted:
“Death to the queen!”
This happens towards the end, but
this is one situation where no spoiler alert is required, for nobody interested
in this film would be in a position to ask:
Whatever happened to this queen and king?
Nevertheless, the film is phenomenal in not
delving into the horror of the final moments and does not introduce
decapitations and other gruesome scenes.
Instead, we have a beautiful, rather hopeful,
suggestive, exceptional ending for a lavishing and moving motion picture.
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