Hawaii,
written and directed by Jesus del Cerro
8 out of 10
Hawaii is
an interesting story about...communist Romania, the relation with the
paradisical island is mentioned near the beginning.
Dragos
Bucur is good as Andrei Florescu, the same is true about Andi Vasluianu as the
vicious, loathsome villain, the Secret Police officer Scarlat, but Cristina
Flutur as Ioana Balan was less convincing.
Granted,
the role was rather difficult, complex, the woman being an agent of the
Securitate - and by that, a member of something similar to the Gestapo and the
KGB - and at the same time, the love interest of the hero, the Juliet if you
will of this drama, which is a thriller and a love story.
Andrei
Florescu is an intrepid taxi driver, one who deals in the black market, risking
with that a long jail sentence in the communist days, when the dollars he
transacted, the Kent cigarettes he offered for services were crimes against
humanity, so to say.
Everything
changes when he is asked to take a client from the Intercontinental hotel and
this has a message and a chain with a cross for him, asking for a meeting to
take place later.
Andrei Florescu
takes Vasile Florescu with him to the meeting; the latter had tried to escape
from the tyranny in a hot air balloon, years before, with two friends, one of
whom has just sent the Intercontinental message.
Surprisingly
– in fact, it seemed rather farfetched – they have the pleasure of meeting with
the American Ambassador, although why would his Excellency want to meet with
these two people is a bit difficult to guess.
Vasile Florescu
has been named the inheritor of a large property in Hawaii – hence the name of
the film – with thousands of hectares and a value of about three million
dollars – considerable, but enough reason for the highest representative to be
involved in this?
Another reason
might be that Vasile could be assumed a sort of dissident, a more likely reason
for an ambassador to want to communicate…
The family
of Andrei is not overjoyed by the inheritance that comes with strings attached –
if they claim it outside Romania, in an American embassy elsewhere, they will
be able to have it.
Nonetheless,
if they do not get there in this period, the Romanian communist state would
come into possession – they would confiscate any such private property; they
are into sharing, like their present day disciples Corbyn, Melenchon, perhaps
even Sanders.
Andrei is determined
to travel to Yugoslavia and then defect, but for that he needs a passport and
at the office for these documents he meets Ioana Balan aka Cristina Flutur –
not very suitable for this role.
She is a
Secret agent, in charge with the dossier of the Florescu family, suspected of antigovernment
activities or at least designs, and she meets again with the man who likes her,
unaware of her occupation.
The idyll
develops so much that the woman who had pledged loyalty to the state and its
vicious repression machine, to which she belongs, starts to have doubts and
begins to feel attached to her target.
Her superior
officer is Scarlat aka the very good Andi Vasluianu – Omni present in local
films – who appears to want to use his influence and authority over his
subordinate to gain sexual contacts.
Is they had
been mutually pleased in the past with this bond – although he is married and
we could presume that this had been a case of abuse – she is not willing anymore
and hence she is raped.
Ioana is a
good swimmer and she wins a competition – that could have been limited to the villainous
Securitate agents, but there it is – where the loving Andrei is in the audience
and admiring.
The Secret agent
solves the case by saying that there are no reasons to suspect that the
Florescu family has nefarious plans – she cites the brother in law, who is a communist
fanatic.
However,
Scarlat has had other sources, suspects foul play and has Andrei arrested in a
showdown of competing males, with the villain torturing the good character and
telling him the real profession of his lover.
It can all look
preposterous when they decide to manufacture a hot air balloon, to fly over the
Danube – successfully this time – they get all the neighbors to participate and
then kidnap the vicious brother in-law.
On the one
hand, heroic attempts have been made to cross the border – I meet regularly at
the pool a man who had climbed on the cars of a train that was destined for Hungary
and the West, only to be caught at the border.
However, to
make this from material destined for the propaganda demonstrations, with the
portrait of the tyrant prominent on the balloon appears more like a metaphor,
without a chance to have happened in real life.
This is an interesting,
but not very good film.
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