The Old Man
& the Gun, written and directed by David Lowery
Seven out
of 10
It is tempting
to dismiss this motion picture – and this will probably happen in this note –
in spite of a cast that includes Robert Redford, such a legend that we need not
insist, Sissy Spacek, another giant, Danny Glover, Tom Waits and the recent winner
of the Academy Award – but controversial nevertheless – Casey Affleck.
Now for the
disadvantages:
The subject
is more than familiar.
All the
angles of bank robbery have been explored and it is hard – perhaps impossible –
to compete with quintessential works like Bonnie and Clyde, Butch Cassidy and
The Sundance Kid –wherein Redford has had a glorious contribution – and other
such landmarks.
Furthermore,
even the concept of robbing banks by “Over the hill” old criminals has been
there before and the déjà vu feeling is made worse when the predecessors have
had much more value.
Going in
Style, the 1979 classic, not the recent flop, was an extraordinary example of
the Perfect Job, with George Burns in scintillating form, as were his partners
in crime, Art Carney and Lee Strasberg.
Critics seem
to have loved this Old Man & his Gun, so you can very well discard this
evaluation, if you have not done it yet.
It is always
a question of “Merit Finder or Fault Finder” or as Shakespeare has said it in
Hamlet:
“There is nothing
either good or bad, but thinking makes it so”
You could
look at Robert Redford and say wow, what a tremendous actor he has always been.
Or think
about what the recently deceased, regretted, outstanding winner of two Oscars,
writer of masterpieces like All the President’s Men, Butch Cassidy and The
Sundance Kid, The Princess Bride, Marathon Man and other great movies has said
about Redford.
In his
marvelous Adventures in the Screen Trade, William Goldman, mentions how easy it
was to find someone like the acclaimed actor – just throw a pebble on the
Malibu or some other Californian beach – and then the embarrassing attitudes he
had after his Sundance role.
Redford had
initiated a project of making a film with Goldman, but after the release and
success of Butch Cassidy, the actor calls the writer to say that he does not
want to continue…
Why?
Because he
felt that the image that the fans now had of him as legendary, macho hero would
not match what was about to take place in the new, would be film that the
screenplay author had worked so much on…
And this is
not the end, although the arrogant, self-important, precious, superior, selfish
take is not unique – there are two cases where Dustin Hoffman, on the set of
Marathon Man and Al Pacino come out as ruthless, to say the least.
William Goldman
had worked on the script for All the President’s Men – due to the circumstances
explained in the book, a very difficult task – talking to Redford through his secretary…
The writer
would call the assistant, she would call the actor and then back, in a complicated,
preposterous communication, and later on, after months of toiling laboriously,
the star invites the author to his flat in New York, only to take the project
away…at least for some time.
Goldman says
it was the worst moment of his life – or one of them anyway.
As for The
Old Man…well, there is not much to say, in my opinion, except that it is just
common, not out of the ordinary.
The Old
Bank Robber is somewhat more interesting than the usual malefactor, criminal
type, but not the ultimate role model…
Or is he?
Yes, there is
perhaps a lesson that he can give us, in the sense that he did what he liked in
his life, flawed as it certainly was.
This is one
of the rules of Happiness – find your calling and make that your job, thus
getting paid, making a living from what you enjoy doing anyway.
To find
that calling you need to identify – what you like, what you are good at and what
has meaning for you and where these intersect, that is where you can decide and
take one of the possibilities…
Not if you
find you would like to rob banks and The Old Man has the most important lesson
to teach…
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