Mickey Blue
Eyes written by Robert Kuhn
Seven out
of 10
This film is
a mixed bag.
Mostly, it is
forgettable and given that it was released in 1999, 20 years ago, it has
neither the appeal of a new feature, nor the charm of on old, black and white
work that you might watch as vintage.
Therefore,
what is left would be the pleasure of watching Hugh Grant, Jeanne Tripplehorn
and James Caan, together with a few other formidable artists – James Fox
especially.
Hugh Grant is
Michael Felgate, an art – house auctioneer, whose British accent and manners
can be endearing and amusing, or repellent, if we are talking about the Mafia
types that he encounters in the film.
He is in
love with Gina Vitale aka Jeanne Tripplehorn.
Alas, she is
not from the Capulet family, death enemy for the Capulet Felgate, but she is just
as deadly to be pursued.
Even if she
is innocent, actually wants to distance herself from her father and have nothing
to do with his activity.
For this is
Frank Vitale portrayed by the fabulous James Caan.
If you look
on the internet, in particular YouTube, you find that this is one of the most outstanding
figures in cinema.
He is not
only a glorious actor, but he is the one who makes the atmosphere on the set inflammatory.
Robert Duvall,
Marlon Brando and others talk with admiration, respect and maybe a dose of envy
about Caan.
Robert Duvall
mentions the extraordinary experience on the set of the Godfather and other
occasions, when Brando would not learn his lines and therefore they were posted
everywhere, on the ceiling, walls, even the outfits of his fellow actors.
James Caan
we learn was outstanding and his humor was the best ever…Duvall, who has worked
over decades with so many artists, maintains that the two funniest were Caan
and Bill Murray.
When James
Caan would make a joke, it would take the legendary Marlon Brando a few seconds
to understand it.
In Mickey Blue
Eyes, he does not have much material to work with, but even the way he looks at
Michael aka Hugh Grant is a reward.
The auctioneer
finds that loving the daughter of a Mafioso is extremely dangerous and
impossible to deal with at times.
On the one
hand, she has distanced herself from the Organization, but on the other, Goodfellas
make an entrance.
In one of
the few amusing passages, Vito Graziosi, godfather to one family of 'made men',
wants the terrible painting of his son to be sold and not at just any price,
but with a tag of $ 50,000.
Michael is horrified
at the prospect, for he knows the work is so appalling that “people would pay
that much to stay away from it, not to own it”, but he is aware of the
consequences of refusing the favor.
Accepting it
is also risky.
For his
lover must not know that he deals with the very people she wants to eliminate
from her life.
Things come
to a nadir when the painter is accidentally killed and the mafia wants to find
and kill the assassin.
When the
FBI enters the stage, we might have had a complex, interesting action comedy
movie.
Only we do
not have it.
There are
some pleasant scenes, because Hugh Grant and James Caan are such talented
performers.
Nevertheless,
the effort of looking for this on Netflix or another film site is not worth it,
for there are other motion pictures, with these phenomenal actors among others
that are much better.
The Godfather
I and II for instance.
PS: Michael
is amusing when he makes a note to watch these two classics, Goodfellas and
Casino, to learn about the family that he wants to marry into.
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