Red Lights
based on the novel by Georges Simenon http://realini.blogspot.com/2017/06/red-lights-based-on-novel-by-georges.html
10 out of
10
This is
such a fabulous movie that I have watched and enjoyed it twice, the note is
about the film and Not the novel and I need to emphasize this from the start,
so that I avoid an angry comment on that, for it has happened before, being
told off and having to hear ‘how dare you’ or words to that effect, when this
happens because I am modest and do not anticipate a large audience, if any, and
therefore do not see anybody bothered.
Just in
case, I will put down more words on the subject, so that nobody could say they
did not realize – in the previous notes I mentioned, which were on the motion
picture and not the material they were based on, I have mentioned that I am not
talking about the book, but somehow the complainants had missed that, so now we
have a whole quarter of the ‘review’ made up so that they must realize
something is amiss – and then this would also be ab indication that you have to
stop reading here…if you have not done it before.
According
to The Thin Slicing Theory explained in the quintessential Blink – The Power of
Thinking Without Thinking by luminary Malcolm Gladwell http://realini.blogspot.com/2013/05/blink-power-of-thinking-without.html we are alone here by now, for we
have an idea, form an opinion in the first few seconds of seeing someone,
assessing a situation, let us just mention the situation where participants in
the test have been shown some seconds with a professor (in one case, they even
had the video muted) and then asked to evaluate, and when they asked those who
have attended the course for a whole semester, they saw that the opinions were
the same, in other words, we are often (or is it almost always) able to make
the same analysis in seconds or in months, but this is not without flaws.
The same in
this situation, those who have abandoned the text, because of the ramblings,
will have missed on a very deep, clever, insightful look at a phenomenal film,
Feux Rouges aka Red Lights http://realini.blogspot.com/2017/06/note-on-red-lights-based-on-novel-by.html this is the third interpretation,
the link just listed is a video talk, made in the garden with the team, the two
macaws, Balzac and Puccini, my eternal companions, who are in this office right
now, only you could not see them, unless I will insert their picture in the
document…but then you could use the link just to watch them…
Antoine is
the main character of this story, however much this could be pushed back, a feminist
perspective would reject this affirmation, asking why is Helene not just as or
more important, but then we could look at the screen time (granted, that would
be flawed, Dame Judy Dench has won an Oscar for Shakespeare in Love http://notesaboutfilms.blogspot.com/2017/07/note-on-shakespeare-in-love-written-by.html where she was on the big screen for
very few minutes, only what a grand performance and what a stature that lady
has)
That is
indeed arbitrary, and I would also mention the case of Tar https://notesaboutfilms.blogspot.com/2023/01/one-of-best-in-2022-and-golden-globe.html for which Cate Blanchet has just
won a Golden Globe and she is probably favorite to win another Oscar in the
coming weeks, actually there will be about
a couple of months until the ceremony, but I would vote differently
No doubt,
the performance of the winner of two Academy Awards -both for motion pictures
that I did not particularly found exhilarating, and the acting of the leading
actress less than overwhelming, Carol and Blue Jasmine http://realini.blogspot.com/2019/08/blue-jasmine-written-and-directed-by.html - is impressive and even I can see
that there is much there to recommend some of the most prestigious awards.
Nonetheless,
I would give the Oscar and all other acting prizes to Kerry Condon aka Siobhan,
for her major contribution to what is by far the best film of 2022 and one of
the top five movies of this century, The Banshees of Inisherin http://realini.blogspot.com/2023/01/the-banshees-of-inisherin.html
returning
for a while to the subject, Antoine is driving with his wife, Helene, to take
their children from the holiday camp, at the end of summer, back home, the
trouble is that this is the busiest time of the year, the end of summer, and
the protagonist is annoyed, then angered by the long time it takes to move, he
is already inebriated and the tension is rising in the car, with every reckless
maneuver he takes.
Furthermore,
he stops to drink ever more, while his wife is waiting in the car, and she had
already protested and told the souse that he is getting to be too much, when
she warns him that if he enters this new bar, she would leave on her own and
take the train…indeed, when he comes out, Helene is gone and though the
alcoholic tries to use top speed, it will be a wild ride, that is clear, he
cannot find his wife at the station.
Antoine is
chasing now after the train, driving like mad and drunk on top of it, to arrive
at the next stop before his spouse, and this is when things get even more
complicated, for we have heard already on the news that a dangerous convict had
escaped and using the Chekhov Gun Law http://realini.blogspot.com/2018/06/vanya-on-42nd-street-based-on-uncle.html if we show a gun in the first act,
we must use it in the second or third act, so we have to meet the running
criminal, together with our ‘hero’
The main character
is kidnapped in a way, just as he had held his wife hostage, prisoner in a car
more or less out of control, and there is a confrontation between the inebriated
driver and his passenger, with a climax wherein we see that one of them is
likely to get out of the picture, with more chances for the stronger fellow,
younger, sober, experienced in inflicting pain and infuriated to the point
where Antoine may have become not just useless, but an obstacle, one who may
pay for his addiction, the pain he caused others
http://realini.blogspot.com/2022/02/unique-in-world.html?q=unique+in+the+world?
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