Street Kings,
by James Ellroy and others
Seven out
of 10
Street Kings
reminds one of scenes from Payback with Mel Gibson, Unforgiven with ( and
directed by) Clint Eastwood, Morgan Freeman and Gene Hackman, Death Wish and
other much better motion pictures.
Alas, even
if we can see Keanu Reeves (a very talented actor that seems to have renounced
the glamour of Hollywood and the life of a celebrity, to live as a normal human
being in new York), the Academy Award winner and phenomenal artist Forest
Whitaker and last, but in no way the least the great Hugh Laurie, Cedric the
Entertainer and Chris Evans, this feature is a forgettable experience.
We have
some interesting angles from which the film was shot, plenty of action to keep
a viewer watching, surprises in the plot, but the final product does not reach
the level of the aforementioned dramas and others like them.
Keanu Reeves
plays detective Tom Ludlow, a rather complicated main character, with fabulous achievements
under his belt, but also the man who drinks while driving and shoots villains
in revenge, obviously extra judicially.
He faces an
investigation regarding a shootout in which criminals are killed by him,
following a vicious interaction, a transaction in which the undercover
detective was supposed to provide weapons, including machine guns to these
thugs.
They beat
him up, affronted by Ludlow’s use of Konichiwa, which is more like an insult,
given the fact that the mobsters are Korean and Konichiwa is Japanese and the
two peoples share a history in which they have been fighting each other, Japan
having occupied Korea, tormenting the population and more.
Indeed, to
this day, they have unresolved issues and animosity is often at a peak, because
of the issue of the “comfort women”, unfortunate women who have been taken in a
sort of slavery and then terribly exploited as sex slaves.
There is also
the problem of disputed territory, islands that both countries claim as their
own.
The police
officer is hit repeatedly and beaten by the Asian gangsters, who send him to
the ground and then shout Konichiwa to him.
They will
pay dearly for this and their evidently long history of violence, terror and
murders, for they will die soon, eliminated by an undercover officer who should
obey the law, but instead takes it into his own hands.
In his defense
though, two young girls are liberated because of the brutal action of Tom Ludlow
and this makes him a sort of a hero.
Detective Terrence
Washington is a critic and apparently a serious adversary for the flawed hero
and when the former happens to arrive at a grocery store, Tom Ludlow is apparently
ready for a new confrontation.
Nevertheless,
while Terrence Washington is already inside the shop, a car with two men is driving
by and the two individuals, wearing scarfs that cover most of their faces, enter
the same store.
The hero
understands this is a dangerous, potentially tragic situation and tries to warn
his foe, who thinks this is just another clash between them and while they
argue, the two killers come close and shoot Terrence Washington multiple times,
using machine guns.
While Tom
Ludlow is recovering in the hospital where his girlfriend works, an unknown man
asks him if he is not the famous cop who had freed the two girls, acting as if
he is not sure and does not know the story except from the news…
While he is
putting on this performance, a police detective comes close and calls him
captain, ending the pretense and making Ludlow and the audience understands
that this was a trick and a potential trap.
Captain James
Biggs aka Hugh Laurie is investigating the homicide case and he has been at
odds for a long time with Captain Jack Wander aka Forest Whitaker and his team
that is suspected of criminal acts.
There are elements
that will keep a viewer interested in finding out who the good hombres are and
where the corruption lies, but it is not a very satisfying motion picture.
Perhaps the
remarkable group of actors would have benefited from a different director, who
could have made this film a more rewarding feature.
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