Cellular based
on the story by Larry Cohen
Seven out
of 10
Cellular has
a premise that is so lame and ludicrous that you could reject the film from the
very first moments…
And you
should!
Having said
that, the actors perform professionally, there are some good scenes in a film
that has plenty of clichés, and the audience would often feel there is too much
déjà vu.
Jessica Martin
aka Kim Basinger is kidnapped by some villains, led by Ethan aka Jason Statham –
we are used with the latter playing the good character, the one who saves the
girl, the victim, but he is a monster in this movie.
We move on
to the beach and we are entertained with the presence of Jessica Biel as Chloe
and Chris Evans as Ryan, the hero of the motion picture, as they exchange boring
lines of dialogue.
Indeed,
Jessica Biel, Chris Evans and Jason Statham act together in a much better film,
London, reviewed here: http://notesaboutfilms.blogspot.com/2017/04/note-on-london-written-and-directed-by.html
Chloe and
Ryan discuss his lack of dedication and seriousness – just as he shows his
upper half of the body, since he is not wearing a shirt, out in public and this
seems rude, even if it is hot.
He states
that he has meditated and he is aware of his flaws now and he has changed and is
ready to prove it.
Chloe gives
him some flyers to distribute and tells him to bring some t- shirts for a gig
that would take place later.
As he
drives his small SUV, Ryan receives a call from a stranger who is asking for
help, desperate because she has been kidnapped and her family is in danger; she
is worried about her son.
The young
man thinks this could be a bad joke and says that if she were in danger she
would have called the emergency number.
Jessica
Martin is calling.
This actually
seems to be the major flaw of the script, for even if that phone she is using
has been out of service and we are talking ancient telephones here, before the
smart ones we have become so used with, it still feels impossible to dial a random
cellular number instead of the easier 911.
Anyway, she
slowly tells her story, how her house cleaner had been killed earlier and
therefore Ryan takes the phone to the police where he speaks with Sargent Bob
Mooney aka William H. Macy.
The script
has an abundance of incredible aspects and instead of the sergeant dealing
seriously with this problem of kidnapping; he is called to break a fight in his
office and then sends the messenger packing…
Go to the
upper floor, this is where they have homicide…words to that effect
Meanwhile,
Ethan has entered the room where Jessica is a prisoner and made threats that
terrify Ryan, who is now convinced that this is not just a serious call, but
that people might die.
He loses
the signal on the way to Homicide and thus he has to abandon the project and
tries to get to the school where Ricky Martin, the son, learns so that he could
extract him from the path of danger.
He is stealing
a Porsche, trying to get a cable to charge his phone and when he cannot do
that, he is using a gun and then overpays for the charger, becoming a celebrity
on television.
Eventually,
the bad guys and the good ones would face each other, as we can expect from
this type of film and after tense scenes, shooting, bodily contacts, fistfights
and battle scenes, guess who wins?
It is farfetched
and unsatisfying, except that Evans, Biel and Statham are charming and
compensate to some extent the rather slim story.
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